the neon lights of broadway - surviving the enlightening Manhattan

Wednesday Sept 19. Manhattan. Peaceful busy-ness. Constant sounds like a hum in the inner ear drum. Roadsweepers, horns honking, somewhere close, a jazz quartet rehearses their notes. I am on 98th and West End. The Upper West Side. Amused by the creative chaos of my own thoughts, I am so excited to be here on one of my many (now yearly) pilgrimages to New York.

I wrote this when I was 21 in this city:

"So much to do,

So little time,

So many thoughts,

Running through my mind.

Keep a step ahead of the rest of the crowd,

Don't fall under, Success is where I'm bound"

It wasn't easy getting to New York this time. "Ease" has been the operative word, but as sometimes we are meant to be tested, so too was the car battery. Dead. Luckily, we didn't want to drive into Manhattan. Still, leaving a dead car in New Jersey for the remainder of the week was not of interest to us. At first, it was a dead battery (a leaking battery as Asif our mechanic up the road told Melissa). Then, some calls later, he tells us that the alternator is kaput. That will be $475 total thank you very much. I didn't know this for sometime, as i was packing for NY, while Melissa frantically looked up car places for second opinions. As soon as I found out this decidedly unclear and dubious piece of information, I grabbed Melissa and marched up to tell Asif a piece of my mind and get under the hood(U.S)/Bonnet(real translation), myself. I'm not going to let some suburban mechanic ruin our entire tour fund. Yikes.

I began to chat, (wo)man to man. "Asif, are you sure it's the alternator?". "How can the alternator and the battery go at the same time?". "Is your meter faulty" "Do you speak English?". As if, Asif, it should cost that much!" All done with a smile though. Anyway, we gave him 20 minutes to double check his mechanic resume and the car and find out if in fact it really was the alternator or, perhaps, just perhaps, maybe a wire got unplugged. Sounds rather "girly" to say, "he mister, maybe (eyes fluttering), it's one of those (smiling flirtily) wires, a little, you know, askew?"

CAN YOU believe it? We were goddam right. It was a silly little wire. THANK you Asif for listening to women for a change. I felt so proud of my dad's drilling in me about how to be like a mechanic with mechanics. The bush did me right!

We parked the car in Harvard Yard. No we didn't. I just wanted to write that, like Bostonian's say it. "Paak tha caa in Haaavid Yaaad". We parked the car back and Patti's and Susie's (see right, pic with me, Patti and daughter Grace) - and Melissa and I hopped on the #66 DeCamp bus to Manhattan... destination broadway, 42nd street. Fabo!

And here I sit, now 98th and West End, at Carol's. I remember my time here in 92, going after the big dream on rollerblades and a copy of Backstage, living on a banana a day. Today, I had to take Melissa to my and Jeff's favorite pizza joint on 96th and Amsterdam: Famiglia's. That juicy, cheesy slice, just melts in your mouth. Fifteen minutes later, I passed out in Central Park. The week was already catching up on me. It's taxing being on the road. Gosh we had the BEST weather in New York. The best I've ever felt. Sunny, warm, slight breeze. Perfect. I fell asleep with the light afternoon sun caressing my face, dreaming of inspiring stages for the next 3 nights.

i used to dream of this day

i never thought it would come to this

all of those weary nights

poems by candlelight

i danced alone in my own world

i feel so much alive

i remember the fear i felt

never believed the dreams in me

time to receive all that i need

time to reinvent my human nature

time to begin the child

time to begin

time

We took our time to Greenwich Village, for our first gig in Manhattan. No keyboard to carry, each venue promised one to use. Phew. I used the Honor Society band's keyboard. You can check them out at www.myspace.com/honorsociety. Thanks boys! They actually had a korg triton, like mine, PLUS a whirlitzer, and I made a right angle with both so I could go back and forth. It was quite an experience. The local crowd was not much, but the room was awesome. Melissa delivered her rock-ness, I played it more mellow. I'm very much an audience artist. If there is one, it's w.o.w. If there isn't, i'm like "ho hum, ready for a glass of wine." I really did like this venue though. Thanks Maria for the gig. 40 year anniversary of this cool hole in the wall on Bleeker street. After us, The Lenny Brothers played after us.www.myspace.com/hentaimusic. Talk about south of the border, N'Orleans meets Elvis coolness. So ego, just soul, blues and a great hair cut. Melissa and I ended the night popping our head into various Village clubs, like one of my old haunts, the Bitter End (this girl was singing, and playing violin at the same time, while her band rocked out. soo cool). Late night nachos and a jazz club and we headed uptown with a slight skip in our step.

Still, I traveled back to the pad feeling a little despondent. I'd traveled all this way to where... an almost empty room? This isn't the New York I remembered. I remember Baggot Inn last year with the walls humming, and Town Hall with Eric Idle, and Cutting Room with fabo piano and photos and industry and.. and... Here I am on the subway riding uptown on the 1, thinking... "i have to change this. i have to change who i've become, and get in touch with that warrior, innately creative, spirit... again. Will this town feed me like it once did?"

Sleep, 11am sleep in, groggy head, and a green tea soy latte at starbucks. Today, I felt it early...., was going to be sensational. My fiance (yep folks, you heard it), says that "it's always darkest before dawn". How true. I had sunk into deep 21 year old blues (it flooded back) and enlightened in the morning to my mature 30s "I can take on this world" view of things. It worked. We began the day strolling down the Hudson River in the park, watching the yachts and the geese. A vignet of New York I never knew existing. On 79th and the water there is the most fabulous cafe, with an in the round Rotunda type eating area and raised stage. Views spectacular the happy hour beers are $3. If I were getting married in New York, this is beyond a doubt the place i'd get married. A cafe, a bar, a place to rest, the views were magical, and nothing over the top at all in price. What a location.

Chelsea next. The moment that shifted my NY perspective. I had an awesome meeting at ufomusic.com. United for Opportunity. Same ilk as me and my warrior girl music. I'm psyched. They just released Ani DiFranco's latest Best Of album. Need a say more? .... More news about that soon, i hope. That night, a fabo, awesome, hot, rock-ness, coolness gig at Mo Pitkins House of Satisfaction. Couldn't get cooler. Amy Clarke, also pianist of extraordinary bliss, hosted the night which we titled "Songsalive! Sirens". We actually started the night at 7.30pm with a song critique workshop which was very cool for our local writers to gather and gain valuable, positive, critique. (Pic Left is Dan Schteingart, Chloe Watkins, Melissa Mullins, Amy Clark, Steve Archdeacon and moi. The NY Contingent).

Then we had so much fun to, phew, a full house. Gosh I was so excited, centered, and felt funny and got response back, and oh.so.nice. Love our new chica aussie friend Chloe who came and hung with us. She showed us around East Village and oh.my what an assortment of cool venues to play at next time I'm back: Living Room - has to be THE place for me, and unlike the popular downstairs room, the upstairs smaller space has a grand piano. Love it. Next door, Pianos. But no piano. Weird. Rockwood Music Hall round the corner, also very intimate and fabo for songwriters. This is a great part of town. We ended the night back uptown with a cup of tea and a left over piece of pizza slice.

>Fast Forward interlude: I'm currently listening to Ani DiFranco, at a later time in space as i write, and her new "Canon" album is absolutely stunning. Flows, spoken, sung, melodic, rhythmic, perfect for a 2am writing spell.

Friday twenty first of september is supposed to be a fabulous day. 9+ 21 + 2007 = 21. Good number. I'm sitting in a little cafe (Starbucks, he he) with Backstage and my gtsl. I'm observing the new york foot traffic out of the floor to ceiling high windows. There is a lot of noise. Goes with the territory. This is New York. I'm really getting into the thick of things now. I'm feeling my inner muse come back to life. I planned that this would be, by the time I hit Manhattan. I feed off the energy here. Simply Red is playing on the radio. How serendipitous. I met them recently in West Hollywood at Virgin Records, where Mick was releasing his latest record. I gave him my cd, extraOrdinary life, and his wife/manager was very kind. I haven't received the call. I wonder if my manager heard from them. Manager, manager? anyone? bueller?

It was a great day to see the Statue of Liberty on the free Staten Island Ferry.

Here in Manhattan I've been honing in... getting closer to "it". I've been so... disconnected from my "path" for about 2 years, really. I thought it was just months, but it adds up. Time passes swiftly. I had been milling in a quagmire of productive energy expulsion, with no sense of creative direction. I've done so much, yet felt so little. I've been a walking zombie, creatively, living on automatic pilot at gigs, meetings, productions, performances. I haven't sat down and written in ages, songs nor my book. I have produced a huge festival (www.fofest.com/) in August, and Dayjams the rock music camp, with 17 staff, and produced various albums for others (www.warriorgirlmusic.com/producing), and yes toured, and spoken at conferences, and yes, i've been out there. But the "in" became stagnant. I have played this game so long, I had lost how to make it fresh. My friend Jon Batson says "Gilli, when you've won the game, you no longer need to play it." So true. I had absorbed that piece of information, 10 days ago, on Virginia Beach, realizing that that is why I had become so numb recently. I have done this ALL before, and I have done it well. I have played the live performance game, the recording industry game, the internet game. So where to now?

Right now, it's about inner creative peace. That's the challenge. And this tour is ***WAKING*** me up! I am getting my creative juices back. Last night my show at Mo Pitkins was unbelievably satisfying. I felt in touch with my spirit I laughed, I was in joy. I was quirky, my voice, keys and eyebrow expressions were all connecting like a well oiled machine. I "Felt" my lyrics and the emotion transcended beyond me to the room. An extraordinary day for an ordinary girl.

The final gig at Baggot Inn was small, and the keyboard I was subjected to was the worst most rotten keyboard with no piano sounds. I felt like I was playing a toy dinky child's keyboard. But I DIDN'T CARE. One tequila shot softened the blow and I just let it out with fun and ease. How can you burst a bubble when it's protected by inspiring light? Darren was great on sound, notwithstanding, and the bar tender had the coolest magic tricks with shot glasses.

Vignet: Our last stop was in Bayonne, the arm pit of New Jersey, in an equally um, humble apartment, for the opposite *MAGICAL* live internet show with Jerry from www.bumpskey.com/ - We literally performed in the kitchen!

Summary: I am falling in love with my performance again, and more importantly, my art again. The artist within is shining. I'm loving meeting new people. My heart is beating, centered and joyous. My legs are killing me fro walking 10 miles and 100 blocks a day, but this is what it's all about...being the ox. Thank you Manhattan. I am alive again.

gilli moon & melissa mullins - east coast barefoot ordinary tour

www.gillimoon.com/tours www.myspace.com/abarefootordinarytour

tinkling the ivories - Boston MA to Montclair NJ

i'm taking my time, doing fine in the autumn breeze, no time to sleep, places to be, but all with ease. taking it all in, it's no sin that i can be free 'cause it's just me, my voice, my stories and these ivory keys. We made it to mASS-achu-setts on Saturday evening. Or, Mmmm, Asss, Achu, setts. Or Massa, Chew Sets. Or MassAcchewy. He he. It's late as i'm writing this. Can you tell? It's a GREAT state. I love the green freeways. The Java Room in Chelmsford MassAchhhh is quiet an oxymoron, in a wonderful way. Typical cafe with cakes, tea and coffee, sidled with a gorgeous grand piano, cabaret style tip jar and a full bar with cocktails. I didn't know if I wanted a cosmopolitan martini sitting on the internet, or a cup of tea as i sang my songs to a quaint crowd. Quaint, I guess, is the operative word. Slightly blank, was the response we got from the crowd, apart from a few little hand pats, which is, I think, a polite way to say "lack of loud clapping and stomping, hooting and hollering. I say this only to those that weren't in our little party of 5, which included myself, Melissa, Christie Leigh, her sister Silvia and friend Bernie. We all were the life of the party, especially sweety Silvia who sang all the notes with us as we sang, albeit higher and in a different octave to us. She was adorable though! he he. But the rest of the crowd were rather mute, except of course during our songs when they picked up their conversations as if we weren't here. Funny how entertainment is perceived. It's either seen as background music for loud conversations, or you totally focus. Nothing in between really. Christie let us sit in on her regular gig, actually, and it was really quite nice. I am spoiling the fun with the above paragraph. In truth, we had a blast, and a welcome introduction to this very pretty state. We choofed off to Boston (40 mins) after the gig, in the pitch black of night but with lots of vigor in our lungs, as we sang songs about every exit on the way down. I think I've already mentioned this, but Melissa is a walking musical. If i mention something like "hey take this exit 241 up here", she sings it "hey.....you must take (higher octave) 2.4.1 (low) up (high) here..." long vibrato. Ha ha. It's funny. So funny, i'm catching it. So I think the rest of the tour should be sung, no more talking. Makes things way more interesting, at least in the car. We arrived in the South End and found (no way, that is so, like, amazing) a parking space. It's like worth $45,000 a year for a parking space in this neighborhood. I know. We went to an open house and they told me, so I know it's true. Really, it is. But we found a spot for the blue warriormobile. Chris Marston, our host for the sleeping part of our boston trip, met us on the corner and walked us in. He's also our Boston Songsalive! coordinator AND an attorney who runs his own law firm. My favorite part about his place is his two dogs, tiki and bailey, the most adorable pint sized muppets you would ever meet. Bailey is like this chocolate crackle, or a curly fudge cake, that is the size of one, on four legs and curly hair (mini poodle) with eyes that are deeper than some human souls. He's so cute, and so light. Absolutely adorable. Tiki is a mutt of black and white variety that's about the size of a fat cat (bigger than bailey) and prefers to jump all over you, lick every part of you, and doesn't know what 'no' means when it comes to more demanded affection. I love these dogs. Chris has the most important asset in his living room, a baby grand, AND it's midi and connected to Digital Performer on his Mac. Once click of the mouse and he can record a whole album in his living room. It's really great. House concert anyone? Chris Marston and I stooping, Boston style. Sunday morning came late. I didn't want to get out of bed. But a green tea soy latte begged me to release the sheets. We took bailey and tiki for a walk through the boston south end streets, and all the dogs sniffed each others butts and socialized, (as you do on a sunday), while us adults ordered our favorite drinks and stooped on a boston Brownstown stair (as you do on a sunday). Stooping is an essential and popular Boston weekend pastime. You grab a drink, and a newspaper, and preferably a cute dog to attract visitors, usually of the opposite sex variety, and you sit on someone else's stair case, in the sun, amongst a crowd, and, well, stoop. Just hang. Just gotta watch those steps with old sticky gum... Sunday afternoon we began what will be a new ongoing tradition, the Songsalive! Songwriting critique workshop at All Asia in Cambridge (Mass Ave). 2pm start, and we had a bunch of songwriters ready to share their song for some feedback from all of us. It was a great afternoon of song sharing. More deets for future ones www.songsalive.org/boston. Then Melissa, myself and Christie Leigh jumped up each in turn, respectively, and sang some songs. More fans turned out, the beers got heavier and chinese food wafted from the kitchen. A nice afternoon of song, and the red sox were even playing (mute thank god) on the bar's tv. I was starving, as we all were, so Chris directed us to the best thai place in town, or so he says, on Mass Ave opposite Berklee College. It was delicious.

Got dark quick. Autumn is more prevalent up here. We jumped on the subway downtown upon Christie Leigh's (below) invitation to sit in on her open mic at 6B on Beacon Street, Boston. Sat with my wine and thoughts of the universe. Kicked back, sang a few on the mic (and guitar... i had a blister after the first verse!).. i'm a piano player goddamit!, and my energy subsided. But it's been nice. We subwayed it back to Mass Ave, and hopped in the car. Oh me god... we need a parking spot. My friend Rick said, talk to Josephine the Boston parking goddess. And so I did. I called my love on the phone and he said there is one, small but a good fit. We got back, and oh my god there was a parking spot. The ONLY parking spot in the whole 1 mile radius, and NO parking meter. Free, for all day. That is so amazing. I feel so connected to the flow, to the universe, so in alignment. EVERYTHING we have done so far on this tour has been an easy flow, and just coming to us, in easy ways. It's quite a miracle to actually see that in action. To witness when one is connected, or in alignment, and so is everything around us. The leaves are falling and the wind is crisp but the sun is shining. Today, our third and last day in Bostonia, land of smart fashions, little mutts and big trees, was a day of walking the streets. Had a good visit with Peter Spellman over at Berklee, then down the Charles River to the city, the Commons, up Newbury Street, Some seafood at the famous Slip Jacks (including, naturally, their clam chowder), then Boylston and back to the South End for a visit to the crew over at Sonicbids. We walked 4 hours today. Good stuff! Life is not worth living if you can't "feel", and I mean, really feeeeel your environment. If that means consuming the local papers, or food of the area, or walking the streets, or meeting all of the people, and/or all of the above. I love going to each city and doing all of the above. I digest the local papers, i eat the local food (and wine/beer), I want to smell, see, taste the culture and streets and talk to its people. Boston is a city, similar to Rome Italy, where I feel I can walk all day and not be bored. I love this city. We hopped into our ever accumulating car at around 4 and headed down the I-90 towards Hartford and then onto New York. Time to kick back in New Jersey for a spell before we go mad in Manhattan (I can't wait!) It was an easy drive, and we were faster than expected. All through MA and CT we were the only car on the roads. Wide open spaces and free roads, with lovely views. It seems very posh to live in Connecticut. I can imagine someone saying (naisly with lower pucker old new england accent), "oh yieeesss. I live in Connecticut. I wear tiger tooth smoking jackets, corduroy and suede trousers, and a beret, and smoke cigars looking at my yacht in the bay. How do you do." Everything is so.... pristine, almost like a postcard. Montclair NJ, apart from central office for the Musicians Atlas, is another quaint posh suburb outside New York, and we arrived just in time for a bowl of rice and to hop into bed. Before I get under the sheets, I sit and write to you. I have to say, LA seems too far away. I'm in a contemplative mood. Working on a new song with a hook that goes like this.... Separated from my true joy of music, song and story when not in that guise, mischief arises. I pretend to be big, strong and feisty But really I'm just a troubadour lady I can wear diamond necklaces and long dresses, Walk down the aisle in high hells And I can act tormented in all black leather But really I'm just a troubadour lady. Something deeply important I need to say. I feel very much in alignment. This is a new feeling, away from productions, events, entrepreneurship of running organizations, I'm tapping into my inner creativity. Bits of songs are busting out to be written, and I'm looking forward to feeling my spirit in New York on Wednesday. Here's a poem I wrote in New York 2 years ago. I re-read it tonight and re-opened my emotional vortex. New York will be good for me, my soul, and my creative juices. Tinkling the ivories in New York makes me wanna be a cabaret star, Broadway star, billy joel singing uptown girl, a jazz singer, a rock star or all of it. Goodnight! 

new york midnight express. Now is What. chaos. on the street in my head on the tv in the room. i stand innocent. it swims around me. i live the silent movie. bam...fast furious fire strong midnight express. sleeping in the bronx, smelling deep history race, creed, industrialized waste, toxic to my system, messy, grimy, how do people live like this? ..fixing for a taste of home, not going to come so easy feeling queasy. new york, new york, giant jungle people fight to stay alive dyin' inside but hungry like tigers fast and furious they push whoosh goes the train like hunter and hunted, subway speed and kids doing tricks street side. do they know what's going on in the south? nothing comes out of this boy's mouth but "yeah, wanna buy my pet lizard got no disease" the dis-ease of our nation is seen on these streets exemplified thrice fold. now what? i am alone in my thought on this how do i make it clear without inciting fear. while tears wash away in the floods of new orleans. where do we all go from here? fear is the one thing stopping.it.all. i contemplate while i wait for my pizza slice filled with cheese, grease and my god it's delicious, down in alphabet city, with the sleaze and cuban restaurants with melodic guitars and voices and drums and beer and wine bars and young girls with tats and black berets and striped socks. sleeping on the street. she sleeps. or dribbles not sure. i eat. i look around and find i'm in hell how ironic as i am in love with it all. it drives my creative muse and i refuse to be of it but in it in any case. alive and kicking i also am with it,loving it performing in it, feeling it. now what? i find the keyboard and feel the ivories at c-note, a dive bar that eases my mood. i drink cheap beer. magic of lower east side. new york city has me by the hook, line and sinker and i'm not fine with what i see, the black concrete playgrounds, and a city losing time. no time, all the time, every time people fast, forward in your face. ..and hard truck sounds and taxi cabs that don't stop when you put your hand up high and say "stop" i am crossing this god damn street. "stop" with the cockroaches and the grit on my glass of water. "stop" with the urine down on the L line people live with this going to work and back and they don't see this simple fact, they live in tunnels on the way from here to there tunnels under the roads, the labyrinth of codes. "stop" the chatter inside my head of fear and 9/11 and clubs that don't pay or leave it ambiguous like they don't know what an artist needs. what does an artist need? the feeling of connection... whispering my thoughts ....do they know, ...do they know what is really going on? are we all so centrifugal to our own moment our own journey? was this book really created for me? "go" with my heart, my pulse, the instinct to be alive, and enjoy this fast journey, the ploy, the entrancing feeling of living on the edge and feeling history,.. on 42nd street. where i stayed last year in 5 star hell and finally, finally performed on broadway with a python at that. new york city town hall. i have done it. now what? how does it feel? what's real to my heart my ambition to know ....to know i have grabbed what i wanted to do in '92, as i rollerbladed through these steamy streets with Backstage mag in my hands and dreams in my heart, and naivety in my lungs and all i felt was fun and cold and hot and all the stuff that makes an artist alive, wanting, yearning, begging for a stage to be heard. living on adrenalin and hard dreams, ambitions to fruition i want to be heard.. new york city. do you hear me? do you feel me? do you want me? BUT i have done it. already. i have made it real and lived broadway and succeeded for whatever that success means? what does it really mean? this constant fire in my belly that says more more more NOW WHAT? i turn to the burbs big houses, large windows fancy mercedes SUVs and i sit here on the couch wondering. now what? while... an old lady dies in a hospital and i'm left holding my friend's baby so calm and soft she smiles with the innocence of mother nature she calms my mind. the innocence of children reminds me that i must look at life through a child's eyes at all times to survive my own ambition. now what? NOW. Now is WHAT. i breathe in i submerge to dreamland to breathe some more and feel the blue sky beating it's heat reminding me of life and love and california and passion surging, coursing through me . i live an extraordinary life. give me another slice. gilli moon . september 10. 2005. manhattan.

taking the high road - Baltimore to Boston

Sleep comes easily on long days in foreign towns. The dreams have been vivid though, like my days. I'm sitting in the passenger seat of Melissa's car writing on my laptop on my knees. The I-95 is calm this time of morning. We left at 8am for Boston. I'm sipping my green tea soy latte, and occasionally glancing at the greenerie bordering the freeway like some invitation into a wild forest. Melissa pipes up "I love it. I love driving along these freeways out here. Trees are starting to turn. Little bits of gold sprinkled everywhere". She's drinking a green tea soy latte too, and has a back up tea in a thermos cup ready to take over to keep her focused on the road.

Road trip!

We've had a GREAT time in Baltimore. It was way more than I could have possibly imagined. Our second day in Baltimore was equally as pleasing as the first. Susan Souza, hostesss with the mostess, took us for a tour around inner Baltimore. We parked the car in Fells Point, a kind of grungy, but funky inner suburb right on the docks of the Chesapeake Bay. We wandered around a bit, checked out a jamming old record store (i noticed a few mom and pop stores in the area), and then headed to Bertha's Mussels for some famous Mussels that is well known all around the world. At the end of the ginormous pot of mussels, now just shells, we all got bumper stickers with the check. They have this notice board with photos of Bertha's Mussels fans who've taken their bumper sticker to interesting parts of the globe, like the snow or Hawaii. Kinda funny.

Back to ye ol' house in Towson, and it was time to get ready for the house concert. Susan had the gear. Actually quite a light system. Her little Fender speakers pack a punch but they are lighter than my laptop. Kristin, her partner, organized an assortment of snacks, including her delicious home made grape leaves with rice. So yummy. We pulled the keyboard out and got the guitars tuned and ready, and waited for the masses of locals to come by. Well, I can't say we got masses, but we sure did get a nice little group of guests who turned up. We all sat around enjoying some wine and the dips and then it was time for some vocal warblings. Susan hit it off with a few tunes. We decided to do it in the round style, we a couple of songs each, then keeping the round going till we get tired. She has some great tunes, and her sense of rhythm is impeccable. Next up, Melissa with her fiesty songs and passionate lyrics. She has a lot of energy for a pint sized gal. I finished the first set off with 'Release Me' done a whole new way, using my loop station. It's a cool little unit and i don't use it enough. I started recording a beat box beat with my mouth, then added (each loop you can add more to it) a beat box kick drum, then some beat box high hats (with my mouth. love doing this lip smacking, ha ha). This gave me enough to start the piano progression, and vocals. Lots of fun.

We did the round of songs all night, in between grape leaves and red wine, until we could go on no more. That day, Melissa and I rehearsed a song i've been thinking of doing live for a while: Don Henley's "Heart of the Matter". Though I prefer India.Arie's verson of this song, nice and laid back with an RnB groove, doing this combined with Melissa's guitar brought it more rock like Henley's. I didn't mind at all. It rocked. It's a nice duet to end the show and hope to use it up the coast.

I cannot speak more highly of Susan and Kristin. They are a magical couple of human beings who are very gracious and generous and so hospitile. It was such a pleasure to stay with them and get to know them. Go to http://www.womenskiss.org/ and check out their wonderful organization of Kickass Women Songwriters.

Now, we are heading north, taking the high road away from anyone who can touch us, disarm our love for pure creativity, or point fingers. Being on the road means being invincible, searching for truth, light and a creative reason d'etre. See you in Boston MA!

Quote Melissa shared with me today:

Quote of the Day The first stage of higher consciousness is the state of equilibrium where praise does not inflate you and slander does not depress you. You may like praise, but you offer it at the altar of your Creator; you may dislike slander but you offer it at the altar of your Creator. A person who lives in this state is super-sensitive, therefore he is grateful. This attitude of gratitude makes a person great. - Yogi Bhajan

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we sang about love like a picasso painting.

Wow. First gig on the tour and I'm in heaven, transcending through celestial continents of inner spiritual mindgames and joy of musical wanderings. It didn't seem much on the outside, but doing a gig at Read Street Books Cafe, Baltimore, just blew my mind.

It's been a trippy day. I'm starting to feel like we are attracting the right things from the universe that we are supposed to attract. Firstly, waking up on the futon in Susan Souza's downstairs pad was delighful. I hankered for a Starbucks GTSL (green tea soy latte). I think Susan has a mapquest addition, because she dutifully gave us a map with directions to a Starbucks down on the other corner. "If you drive here, then here, left there, then right there.. it's right there". Ok. If we walk? Well if you walk, it's right there and then it's there." Ok. We walked. But it wasn't there. Just a house. We walked some more. Ahh there it is.... No sooner had we swung the doors and stepped inside, that we found out they had run out of soy milk. Biscuits. That's Melissa's expression for a swear word. I like it. I demanded a free drink coupon (they complied) and we hauled ourselves up half a mile to the next one. Why am I going through all this? Because the fact of the matter is going for the 3 mile walk (that's about the total of it after we finally got home) got us out and about and exercising, so that we wouldn't feel guilty about our day of internet affixiation on the couch where no muscled spasmed for about 5 hours. We were thankful for the morning walk.

6pm, we leave the house and head into baltimore on the I-83. We had another serindipidous moment when I ordered the Nachos at the City Cafe, round the corner from the gig-to-be, and after 20 minutes of waiting the waitress sauntered out and happened to casually mention, "oh I'm sorry, but it seems that oddly enough our chef has run out of corn chips.". Run out? How can you run out of corn chips. Soy milk, corn chips, what next. I was getting all excited over the ideas of cheesy chips to whet my palate for some musical warblings.... Oh dear. So I chose the clam soup.

Oh.my.god...What a soup. It was deliciious. You see, if there were corn chips, I would have never had the experience of the delicious clam soup. There is always a reason for everything....

I feel like i'm in Darlinghurst Sydney in this Baltimore spot. The clientele were similar too. Check this out... Susan was setting up the PA in the book cafe, Melissa was setting up the merch. I discovered right next door that there was a piano bar. Mmmm, seemed like a more interesting spot with a full room to perform to, unlike the cafe that seemed void of humans, at least when we first arrived. I walked in and felt immediately intimidated by the onslaught of testosterone energy in the bar. All guys chatting, drinking beer. I could feel their eyes undressing me, and already i knew my skirt wasn't long enough for the moment. I chatted with the manager about playing there, "yeah, sweety, maybe next time you come through town", and headed out hoping my but didn't sway too much. Sitting back in the cafe getting ready to perform, I happen to overhear someone say that the bar next door was a gay guy hang out. How stupid I felt. Ha ha. Here i was worried about being oggled at by a bunch of men, when in fact they didn't care about my presence at all! They probably were wondering why I stepped in. Funny moment.

Crystal moment: meeting Lizette and Chris, two power-house women in partnership with Read Street Books, the quaintest book store I've ever visited. Three levels connected by a spiral metal staircase, and the top 2 floors for reading and flopping down with a good second hand book that they sell on copious shelves, this tiny book store has more nooks and crannies than Melissa's tour mobile.Stop press, Read Street Books will soon be a tour stop for travelling songwriters, and a home for our Baltimore Songsalive! songwriters showcase! Yay! Lizette is very keen to make this Cafe the spot for acoustic original music, after an hour of marketing brainstorming amongst the girls. We think it could blow up if the word gets out that this place caters to singer songwriters. They even have a futon and a shower for the traveller. Love that idea. Stage is a nice size, with an upright piano, and a natural breeze through the back gated door that avoids any need for air conditioning on balmy fall nights like tonight. I have this idea, to compile the Songwriters Guide to America, where I list all the best acoustic original gig spots that provide a clean bathroom, shower and a futon bed. This has to take the cake!

There wasn't much of a crowd, but there was lots of love. Tina Ward, a songwriter of the area who is playing tomorrow night at the cafe, happened to come by, and after i sang a few songs, then Melissa, then Susan (who really is so groovy and rhythmic, she's great), Tina got up too. She is like the Picasso of love songs. She takes the subject of love and splits it into all ways of seeing, like a good Cubist painting.

Lizette got excited. We motivated her about some branding ideas for the cafe, and with the music and fun, that she decided to make us all rum and cokes. What a nice way to enjoy singing songs of past loves, broken loves new loves and loving rum and coke. I think all of us sang of love tonight, with all our own take on the meaning of love and why love is love. More rum and coke. She bought 6 of my books at wholesale to sell to the local arts college and we parted with an awesome plan to reinvent the music hub at Read Street Books. Stay tuned at songsalive.org for more on that outcome.

Susan and her partner Kristen invited Melissa and I for a drink at the piano bar next door after our 3 hour round robin songwriter sharing show. Why not? I think I can take on the boys this time... Some dude was doing his best effort on a Frank Sinatra tune in the corner on the 1929 baby grand, and we all sipped drinks musing over the perfection of our evening. What a way to start the tour! Couldn't have been better.

Just before final call happened and house lights went up, a friendly clientele lost his friends and sat down at our table, introducing himself as a master of music calligraphy. I think he was on prosac, but we enjoyed our conversation until I couldn't see past my nose, and we all ventured out onto the pavement to bid goodbye to this evening, and onto another day.

a lot of driving between songs. the start of the east coast ordinary tour - Virginia to Baltimore.

We're sitting on the couch in a cozy basement room of a 3 storey townhouse owned by Susan Souza, a talented songwriter, in Towson, Maryland. We're on the journey... my fourth east coast tour. This time with the delightful Melissa Mullins. We've called it the barefoot "ordinary tour". A humble slide up the coast to some cozy gigs and an easy laid back, cruise control, travel. We left Virginia Beach, point A of our trip, and headed to Baltimore Maryland. Started early with the important Starbucks green tea soy latte and a table spread with mapquest printouts and maps of Virginia and Maryland. Then off on the road in Melissa's blue mobile. I had been in Virginia Beach for a 10 day vacation. Oh my, I have sooo loved it. Most of the time I sat and watched dolphins frolic in the warm ocean, contemplating my future ambitions of getting in touch with my inner musical warrior, and letting go of being only a left brain thinker. For the past 3 months, and probably 3 years (!) I had been sliding into the realm of entrepreneur, organizer, producer, leader, thinker, decision maker and in a way, care taker. Running Dayjams the rock music camp, co-producing the Los Angeles Women's Music Festival, handling Songsalive!'s affairs, producing albums, running my record label, and keeping staff on their toes around me... just.wore.me.out. I'm really, just an artist. Just a girl. Just a creative nut. (She winks, 'cause she also is all the rest, but play along will ya). A seaside spell and now a fun happy tour means gilli becomes, again, the artist. So today, Melissa Mullins, poet rocker chick from Austin TX, joined me in VA with her car at 10am,... and on the road we went. Virginia boasts of dolphins, wide long beaches and lots of greenery. It was a delight to drive the freeways. It was just green all the way, with huge trees and lots of ivy on either side of the roads. But don't think that Virginia is all about retirement homes and cuttlefish... we dropped into the local Guitar Center and was mildly impressed by the notion that nearly every night of the week there's a hip hop showcase or some music club in full swing. Missy Elliot and Timberland have certainly found a nice spot for their cribs. But it was time to leave Virginia and head up to Baltimore for our first gig. Lovely greenery turned quickly into bumper to bumper traffic on the beltway around Washington D.C. Uggh. We sipped our temperate GTSLs (green tea soy lattes), turned up some new age music, and tried to focus on what we would do when we got there, rather than the big trucks in front of us. I-95 is an ugly freeway in this area, at any time of day. Melissa and I looked at each other. "There must be an alternate route to Batlimore instead of the I-95?" Sure enough, our trusty map showed us that a little highway 1 parallelled it. So, we jumped off the big drag, meandering through the delightful town of Laurel and some really cool small town memories to keep, instead of horrible trucks. What a find... it just goes to show that wonderful things come to you when you are prepared to think outside the box. The organic food shop which was a highlight of the day! Anyway, what should have taken 4 hours took almost 8 to reach our destination. But we were not complaining. Finally we reached the quaint little townhouse in Towson, Maryland, and Susan was watering her plants outside. She welcomed us in her home and I eyed the piano immediately. Ah yes, the music begins! Tomorrow we perform at Read Street Books in Baltimore, and Friday a house concert at the house. Can't wait. Then a 7 hour drive on Saturday straight north to Chelmsford MA. It's a premonition of the driving we will be doing though. I was chatting on IM with my songwriter friend Hal Cohen tonight, and he said "a lot of driving between songs". Ah, the life of a wandering troubadour..... Wouldn't have it any other way. r.o.a.d. t.r.i.p! Viva la musica! all tour dates at www.gillimoon.com/tours latest newsletter www.gillimoon.com/warriorgirlmusicenews